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FATHER MOTHER SISTER BROTHER

Saint Laurent Productions, under Anthony Vaccarello, proudly announces that FATHER MOTHER SISTER BROTHER, written and directed by Jim Jarmusch, has been awarded the Golden Lion for Best Film.

With Tom Waits, Adam Driver, Cate Blanchett, Charlotte Rampling, Vicky Krieps and more, the film gathers a cast as striking as its vision.

Presented by Saint Laurent by Anthony Vaccarello with MUBI and The Apartment, in association with Jarmusch’s partners, it marks a powerful chapter in the house’s dialogue with cinema.

IN THE NAME OF ICARINO

For Winter 2025, Saint Laurent expands its iconic Icare line with the Icarino, a refined, compact take on the house’s signature shopping bag. Crafted in luxurious lambskin with the distinctive flat lozenge quilting, the bag retains the sculptural cassandre emblem, designed like a piece of jewelry. Its smaller format, with zip closure and lambskin lining, makes it both elegant and practical. Available in a rich palette — black, urban grey, hortensia, dark beige, strong moss — as well as an orange caramel cognac in suede satin, the Icarino embodies modern sophistication with timeless appeal. The season also sees fresh iterations of the Icare maxi bag, reimagined in cabernet red lambskin and natural shearling merinos.


PRADA FINE JEWELLERY COULEUR VIVANTE

Prada’s latest Fine Jewellery collection from Miuccia Prada and Raf Simons unfurls as a chromatic manifesto – a meditation on harmony and dissonance, where colour becomes an evocative language. Amethyst, aquamarine, madeira citrine, pink morganite, and oro-verde peridot are not merely stones but characters in a dialogue, their contrasts arranged with an unpredictable grace. The gems shimmer between intensity and fragility, echoing lives in calm flux.

The campaign sustains this tension: actors Maya Hawke and Kim Tae-Ri, as well as poet and activist Amanda Gorman, appear in monochrome portraits suspended in time, then overlaid with translucent veils of colour that refract their presence through jewel tones. Against this dreamlike haze, rivière necklaces, solitaire rings, drop earrings, and line bracelets reveal their true hues. Jewellery here is an atmosphere, not an accessory – a beauty redefined: subversive and ever-shifting.


Words by Martin Onufrowicz

SAINT LAURENT FALL 25

SAINT LAURENT FALL 25
BY ANTHONY VACCARELLO


STUDIO INTIMACY

Sarah Burton’s first campaign for Givenchy is a love letter to the women behind fashion. Shot by Collier Schorr, the imagery blurs the line between team and talent — with stylists, makeup artists and even the photographer stepping in front of the lens. What emerges is a soft, cinematic glimpse into the energy of real collaboration, featuring icons like Kaia Gerber and Liu Wen alongside Burton’s creative circle. The collection itself is elegant yet grounded, infused with warmth, ease and intimacy. For Burton, beauty begins with connection — and this campaign makes that personal.

VELVET HEAT

Saint Laurent

Velvet Heat

by Anthony Vaccarello

For Fall 2025, Anthony Vaccarello invited Kate Moss to make the pre-collection her own.

No script. No set.

Just Kate in Los Angeles, moving through heat and silence, wearing the clothes her way.

A silk skirt. A leather blouson. A man’s jacket on bare skin. Sunglasses and sun.

Chloë Sevigny and Frankie Rayder pass through.

A pool. A drive. A house. A party.

Real moments — nothing staged.

Fragments of friendship, freedom —

and Kate, always at the center.


SHADES OF SUMMER

SAINT LAURENT BY ANTHONY VACCARELLO

captured by Purienne

feat. Frankie Rayder, Erin Wasson, Jenn Du Puy


A CURATED LIFE

Jonathan Anderson reimagines JW Anderson as a personal cabinet of curiosities — a space where refined craftsmanship, twisted classics, and everyday treasures coalesce. For Spring 2026, he channels an instinctive approach to curation, blending Japanese denim, Scottish knits, and English silk damask into an ever-evolving narrative of taste. The new store concept mirrors this spirit: warm, familiar, rich with handmade details. Alongside the fashion offering, objects like Mackintosh lamps, Murano glass, antique tools, and even estate honey tell stories of artistry and place. It’s a celebration of what Anderson loves most: things with soul, made to be lived with, and shared.


A STUDY IN STILLNESS

In LOEWE’s FW25 precollection, character takes centre stage once again.

Captured by Gray Sorrenti, the campaign blurs lines between reality and roleplay — a cinematic ensemble featuring Yang Mi, Greta Lee, Josh O’Connor and Stéphane Bak inhabits modernist interiors where reflection, light and form distort expectation.

There’s a quiet tension: bodies lounge, observe, withdraw. Are they rehearsing, dreaming, remembering? Draped in twisted tailoring, fluid leathers and florals, each silhouette plays with scale and proportion — the kind of visual play that defines LOEWE.

Bags become totems in the scene: the Puzzle, the Madrid, the Roll-top. Softness meets structure. Mystery lingers. The wardrobe thinks before it speaks.


ROMANCE OF REBELLION

In the heart of Soho, McQueen finds poetry in the dissonance. Tailored silhouettes stalk the streets where writers once drank and rebels once dreamed — sharp collars, broad shoulders, and the sting of metallic thread catching light. Francis Bacon’s ghost lingers in the shadows of lace-lined satin, beside sailors in reworked gabardine. Theo Sion captures the clash: heritage cut against flight jacket edge, antique leather softened by city glow. Inside The Coach & Horses, the past leans into the present — with Soho George and Florence Joelle carrying the spirit forward. A tribute to London’s grit, romance, and refusal to be tamed.


AN ORDINARY DAY

SAINT LAURENT

An Ordinary Day

by Anthony Vaccarello

Photographed by Martin Parr

An Ordinary Day is anything but. Through Martin Parr’s saturated lens and Anthony Vaccarello’s precise eye, the banal becomes theatrical — plastic chairs, sunburnt skin, greasy spoons all elevated to high fashion’s quietly amused stage. It’s a study in contrasts: hyperreal color meets restrained styling, irony brushed against elegance. Every frame hums with voyeurism, wit, and something oddly tender. Parr doesn’t romanticize — he reveals. And Vaccarello, always flirting with subversion, finds beauty where others see clutter. The result? A collection that smirks at spectacle while becoming one.


PRADA FRAMES X SALONE DEL MOBILE 2025

In what has become a welcome custom of Salone del Mobile – the world’s largest design fair taking place in Milan this year from April 8th to April 13th – Prada Frames returned for its fourth edition! Following last year’s focus on the home space, this year’s iteration of the three-day symposium, hosted by the Italian fashion house in tandem with research and design practice Formafantasma, centred its lens around forms of mobility. 

Aptly titled In Transit, the conference looked at how global distribution networks and digital revolutions shape our daily lives. Through examining the disruptive impact of online and logistical infrastructures and the juxtaposition between the ease of global transit of goods and the challenges related to human migrations, the symposium offered a critical take on modern hypermobility. 

The subjects were discussed by speakers from the realms of academia, design, art and technology – from AI scholar Kate Crawford doing a talk on digital infrastructures and researcher Marta Foresti looking at tools designed to enforce migration to author Nicola Twilley tracking the way in which refrigeration technology has impacted the global consumption and distribution of food.

Each year, Formafantasma’s co-founders Simone Farresin and Andrea Trimarchi conceptualise a captivating venue for the event that evocatively encapsulates its centre of attention. This time around, the duo invited the guests to Milan’s Central Train Station, hosting the talks in the historical waiting area Padiglione Reale (used back in the day by the Italian royal family and heads of state) and the Arlecchino train from the 1950s designed by Gio Ponti and Giulio Minoletti.


Words by Martin Onufrowicz

LUDOVIC DE SAINT SERNIN BACKSTAGE FW25


Photography by Oriane Verstraeten

COURREGES BACKSTAGE FW25

ECHOES OF ELSEWHERE

Shot by Jack Pierson, the Bally Spring/Summer 2025 campaign unfolds in the sun-drenched Coachella Valley, just outside of Palm Springs, California. The setting—an architectural masterpiece designed by Swiss modernist Albert Frey in 1964—serves as more than just a backdrop. Frey’s signature fusion of structure and landscape, where glass walls dissolve the boundary between indoors and outdoors, echoes the central theme of Bally’s latest collection: a delicate interplay between heritage and evolution, restraint and liberation.

Postcards featuring idyllic Swiss landscapes punctuate the campaign, an overt yet poetic nod to the maison’s origins. These images act as visual footnotes, reinforcing Bally’s Swiss roots while emphasizing the brand’s defiance of rigid borders—both geographic and conceptual. Founded in 1854, Bally’s heritage is undeniable but, rather than confining itself to the past, the brand embraces transformation.

 This philosophy of freedom is woven into the very fabric of the Spring/Summer 2025 collection. Inspired by the Dada movement—which started in Switzerland with sound-poetry author Hugo Ball—creative director Simone Bellotti pondered on the dichotomy between tradition and modernity. References to Ball’s artistic revolution are made in cocooning silhouettes and ruffle peplums—the same now transported to a desert-like environment.

 

Bally thrives in contradiction. Like Dadaism, which sought to dismantle artistic norms, the collection questions the rigidity of heritage while honoring its essence. The campaign’s mise-en-scène reflects this duality, where the stark modernity of Frey’s architecture and the surrounding wilderness provide a fitting stage for Bally’s latest evolution.

www.bally.com


Words by Pedro Vasconcelos

AS TIME GOES BY

Under Anthony Vaccarello’s creative direction, Saint Laurent’s new project draws inspiration from Marcel Proust’s “In Search
 of Lost Time”, exploring memory and Monsieur Saint Laurent’s favorite book.

This collection of short films, directed by Nadia Lee Cohen, features Charlotte Gainsbourg, John Waters, Chloë Sevigny, Addison Rae, Joey King, Travis Bennett, Cooper Koch, and more.

“As time goes by” is capturing the essence of Proust’s narrative with an auteurist eye and unique sense
 of irony, plunging into Proust’s mind and transforming his themes into a visual experience.

In each film, recurring themes from Proust’s work — Love, Togetherness, Dreaming, Desire, Time, and Memory — are cinematic meditations on emotion, set against the evocative nature of the season.

First published in seven volumes, Proust’s masterpiece contemplates the way the past shapes our identities.


MODERN FREEDOM

For the CHANEL Cruise 2024/25 collection campaign, photographer Jamie Hawkesworth captured a series of portraits of model Loli-Bahia in and around Marseille, embodying the independence, ease, and modernity of the House and the collection. Loli-Bahia embodies the feeling of wind, sun, sea and sky as she surveys the coastline in classic black and white CHANEL lines, here reimagined into a scuba diving suit. Across the images, we see the codes of the House, reconfigured for the Mediterranean.

The sporty attitude is reflected in the season’s iconic tweed jackets, which appear throughout the campaign. The silhouette is reinterpreted with athletic details: with hoods made in sweatshirt, press studs and shell embroideries, their modernity mirrored by the angular geometries of the urban environment. An active feel runs through the rest of the collection, from cycling shorts rendered in fine leather to denim bermudas embellished with braid like a tracksuit. Flat shoes in black patent leather nod to both tuxedo shoes and scuba-wear.

There is a feeling, too, of escape: in the iconic 11.12 bag, which is rendered in luminous pastel tones, in a cotton poplin and lace top and skirt, and in the straw boater hats - a style favoured by Gabrielle Chanel - worn by Loli-Bahia with an insouciance and youthful allure.

These images capture a sense of spontaneity and effervescence. This is the spirit and attitude of the CHANEL woman today: active, energetic, and free.

The Cruise 2024/25 collection will be available in CHANEL boutiques in November.


IRRIVERENT WONDER

The Miu Miu Holiday Campaign, photographed by Lengua and featuring actor Emma Corrin, evokes the charm of vintage holiday postcards with a minimalist, silk-wrapped setting and soft, tinted imagery. The scene captures a sense of time passing, with characters shifting through various poses and outfits that transition from relaxed daywear to festive evening attire. Accessories like moccasins, knee boots, and statement bags add seasonal flair. The campaign also debuts Miu Miu’s 2024 Upcycled collection, emphasizing unique pieces made from deadstock materials, reflecting a commitment to sustainable, circular design with a vintage-inspired aesthetic.

THE DINNER GUESTS

A table laden with plenty, an ambience of festivity. The Prada Holiday campaign takes place at a dinner-party, over a well-appointed tabletop set with a seasonal repast, precious china and crystal - a symbol of the holidays.

Each of these tablescapes showcases a universe of Prada - the fine porcelain homewares and crystal feature distinctive house colors, emblematic Prada patterns transposed. Even the food itself conveys a Prada identity - confectionaries from Marchesi 1824, the historic Milanese Pasticceria, include tiered cakes crowned with bears and highly-decorated Panettone, the archetypical Milanese seasonal cake. All add to an aesthetic entirety, reflected in clothes and accessories from the Prada Holiday collection, handbags interrupting the table like waylaid gifts.

Around the table, a global cross-section of talent is brought together for the first time: American actor Kelvin Harrison Jr.; American singer-songwriter and actor Maya Hawke; South Korean singer and the leader of K-pop group aespa KARINA; and British actor Louis Partridge. Prada’s trademark ‘Trick’ robots here become life-sized protagonists, playful fellow diners and unexpected guests.

These images, photographed by Willy Vanderperre, see individuals converging in fantastical spaces devised for celebration and enjoyment. These tables are not mere set-dressing – they represent timeless values of comfort, prosperity and pleasure.


 

SCENT OF HERITAGE

Bottega Veneta introduces its first fragrance collection under Creative Director Matthieu Blazy, inspired by the brand’s Venetian heritage and its signature leather weave, the Intrecciato. The collection’s five fragrances merge natural ingredients from around the world, reflecting Venice’s history as a cultural crossroads. Scents like Colpo di Sole and Come with Me blend Mediterranean warmth and elegance, while Déjà Minuit and Alchemie offer more seductive, spicy notes. The handcrafted bottles evoke Venetian craftsmanship, featuring mouth-blown glass aesthetics with unique air bubbles, paying homage to Murano glassmaking. Sustainable and refillable, the bottles combine tactile pleasure with luxurious design, echoing Bottega Veneta’s artisanal legacy.